6.07.2008

Best Performance of 2001 Showdown Results.

BEST PERFORMANCE, BEST MALE, and BEST SUPPORTING ACTOR
Steve Buscemi - Ghost World

OTHER BEST SUPPORTING ACTORS::
Jim Broadbent - Iris (Final 4)
Jim Broadbent - Moulin Rouge! (Final 4)
Ethan Hawke - Training Day
Ben Kingsley - Sexy Beast
Jude Law - A.I. Artificial Intelligence
Heath Ledger - Monster's Ball
Ian McKellen - The Lord of the Rings: The Fellowship of the Ring (2nd place)


BEST FEMALE, and BEST ACTRESS
Audrey Tautou - Amélie

OTHER BEST ACTRESSES::
Judi Dench - Iris
Nicole Kidman - Moulin Rouge! (Final 4)
Nicole Kidman - The Others
Sissy Spacek - In the Bedroom (Final 4)
Naomi Watts - Mulholland Dr. (2nd place)
Reese Witherspoon - Legally Blonde
Renée Zellweger - Bridget Jones's Diary


BEST ACTOR
Russell Crowe - A Beautiful Mind

OTHER BEST ACTORS::
Gene Hackman - The Royal Tenenbaums (Final 4)
Ewan McGregor - Moulin Rouge! (Final 4)
John Cameron Mitchell - Hedwig and the Angry Itch
Guy Pearce - Memento
Will Smith - Ali
Denzel Washington - Training Day
Tom Wilkinson - In the Bedroom (2nd place)


BEST SUPPORTING ACTRESS
Marisa Tomei - In the Bedroom

OTHER BEST SUPPORTING ACTRESSES::
Jennifer Connelly - A Beautiful Mind
Cameron Diaz - Vanilla Sky
Fionnula Flanagan - The Others
Helen Mirren - Gosford Park (Final 4)
Gwyneth Paltrow - The Royal Tenenbaums
Maggie Smith - Gosford Park (Final 4)
Kate Winslet - Iris (2nd place)

5.24.2008

Best Performance of 2002 Showdown Results.

BEST PERFORMANCE, BEST FEMALE, and BEST ACTRESS
Julianne Moore - Far From Heaven

OTHER BEST ACTRESSES::
Jennifer Aniston - The Good Girl
Maggie Gyllenhaal - Secretary
Salma Hayek - Frida (Final 4)
Nicole Kidman - The Hours (2nd place)
Diane Lane - Unfaithful
Meryl Streep - The Hours (Final 4)
Renée Zellweger - Chicago


BEST MALE, and BEST ACTOR
Nicolas Cage - Adaptation

OTHER BEST ACTORS::
Adrien Brody - The Pianist (Final 4)
Daniel Day-Lewis - Gangs of New York (2nd place)
Leonardo DiCaprio - Catch Me If You Can
Richard Gere - Chicago
Hugh Grant - About a Boy
Jack Nicholson - About Schmidt (Final 4)
Sam Rockwell - Confessions of a Dangerous Mind


BEST SUPPORTING ACTRESS
Julianne Moore - The Hours

OTHER BEST SUPPORTING ACTRESSES::
Toni Collette - About a Boy (Final 4)
Toni Collette - The Hours
Queen Latifah - Chicago
Michelle Pfeiffer - White Oleander
Meryl Streep - Adaptation (Final 4)
Emily Watson - Punch-Drunk Love
Catherine Zeta-Jones - Chicago (2nd place)


BEST SUPPORTING ACTOR
Chris Cooper - Adaptation

OTHER BEST SUPPORTING ACTORS::
Ed Harris - The Hours
Dennis Haysbert - Far From Heaven
Paul Newman - Road to Perdition
Dennis Quaid - Far From Heaven (Final 4)
John C. Reilly - Chicago (2nd place)
Andy Serkis - The Lord of the Rings: The Two Towers
Christopher Walken - Catch Me If You Can (Final 4)

Best Performance of 2003 Showdown Results.

BEST PERFORMANCE, BEST MALE, and BEST ACTOR
Bill Murray - Lost in Translation

OTHER BEST ACTORS::
Johnny Depp - Pirates of the Caribbean: The Curse of the Black Pearl
Ben Kingsley - House of Sand and Fog
Jude Law - Cold Mountain
Ewan McGregor - Big Fish
Al Pacino - Angels in America (2nd place)
Sean Penn - 21 Grams (Final 4)
Sean Penn - Mystic River (Final 4)


BEST FEMALE, and BEST ACTRESS
Charlize Theron - Monster

OTHER BEST ACTRESSES::
Jennifer Connelly - House of Sand and Fog
Scarlett Johansson - Lost in Translation (2nd place)
Diane Keaton - Something's Gotta Give
Meryl Streep - Angels in America
Uma Thurman - Kill Bill Vol. 1
Naomi Watts - 21 Grams (Final 4)
Evan Rachel Wood - Thirteen (Final 4)


BEST SUPPORTING ACTOR
Benicio del Toro - 21 Grams

OTHER BEST SUPPORTING ACTORS::
Albert Finney - Big Fish (Final 4)
Djimon Hounsou - In America
Justin Kirk - Angels in America
Bill Nighy - Love Actually
Tim Robbins - Mystic River (2nd place)
Peter Sarsgaard - Shattered Glass
Jeffrey Wright - Angels in America (Final 4)


BEST SUPPORTING ACTRESS
Holly Hunter - Thirteen

OTHER BEST SUPPORTING ACTRESSES::
Shohreh Aghdashloo - House of Sand and Fog (Final 4)
Patricia Clarkson - Pieces of April
Ellen DeGeneres - Finding Nemo (Final 4)
Marcia Gay Harden - Mystic River
Mary-Louise Parker - Angels in America (2nd place)
Christina Ricci - Monster
Renée Zellweger - Cold Mountain

5.18.2008

Best Performance of 2004 Showdown Results.

BEST PERFORMANCE, BEST FEMALE, and BEST ACTRESS
Kate Winslet - Eternal Sunshine of the Spotless Mind

OTHER BEST ACTRESSES::
Annette Bening - Being Julia
Julie Delpy - Before Sunset (Final 4)
Nicole Kidman - Birth
Catalina Sandino Moreno - Maria Full of Grace
Imelda Staunton - Vera Drake (2nd place)
Hilary Swank - Million Dollar Baby (Final 4)
Uma Thurman - Kill Bill Vol. 2


BEST MALE, and BEST SUPPORTING ACTOR
Clive Owen - Closer

OTHER BEST SUPPORTING ACTORS::
David Carradine - Kill Bill Vol. 2
Thomas Haden Church - Sideways (2nd place)
Morgan Freeman - Million Dollar Baby (Final 4)
Jude Law - I Heart Huckabees
Peter Sarsgaard - Kinsey
Mark Wahlberg - I Heart Huckabees (Final 4)
Tom Wilkinson - Eternal Sunshine of the Spotless Mind


BEST SUPPORTING ACTRESS
Natalie Portman - Closer

OTHER BEST SUPPORTING ACTRESSES::
Cate Blanchett - The Aviator (2nd place)
Kirsten Dunst - Eternal Sunshine of the Spotless Mind
Daryl Hannah - Kill Bill Vol. 2
Laura Linney - Kinsey
Virginia Madsen - Sideways (Final 4)
Rachel McAdams - Mean Girls (Final 4)
Sophie Okonedo - Hotel Rwanda


BEST ACTOR
Don Cheadle - Hotel Rwanda

OTHER BEST ACTORS::
Christian Bale - The Machinist
Javier Bardem - The Sea Inside
Gael García Bernal - The Motorcycle Diaries
Jim Carrey - Eternal Sunshine of the Spotless Mind (Final 4)
Leonardo DiCaprio - The Aviator (2nd place)
Paul Giamatti - Sideways (Final 4)
Liam Neeson - Kinsey

Best Performance of 2005 Showdown Results.

BEST PERFORMANCE, BEST FEMALE, and BEST SUPPORTING ACTRESS
Amy Adams - Junebug

OTHER BEST SUPPORTING ACTRESSES::
Maria Bello - A History of Violence (Final 4)
Brenda Blethyn - Pride & Prejudice
Maggie Gyllenhaal - Happy Endings
Catherine Keener - The 40-Year-Old Virgin
Emily Mortimer - Match Point
Rachel Weisz - The Constant Gardener (2nd place)
Michelle Williams - Brokeback Mountain (Final 4)


BEST MALE, and BEST ACTOR
Heath Ledger - Brokeback Mountain

OTHER BEST ACTORS::
Jeff Daniels - The Squid and the Whale
Ralph Fiennes - The Constant Gardener
Philip Seymour Hoffman - Capote (2nd place)
Viggo Mortensen - A History of Violence
Cillian Murphy - Breakfast on Pluto
Joaquin Phoenix - Walk the Line (Final 4)
David Strathairn - Good Night, and Good Luck. (Final 4)


BEST ACTRESS
Keira Knightley - Pride & Prejudice

OTHER BEST ACTRESSES::
Joan Allen - The Upside of Anger
Maria Bello - A History of Violence
Felicity Huffman - Transamerica
Q'Orianka Kilcher - The New World (2nd place)
Laura Linney - The Squid and the Whale
Naomi Watts - King Kong (Final 4)
Reese Witherspoon - Walk the Line (Final 4)



BEST SUPPORTING ACTOR
Jake Gyllenhaal - Brokeback Mountain

OTHER BEST SUPPORTING ACTORS::
Clifton Collins, Jr. - Capote (2nd place)
Matt Dillon - Crash
Paul Giamatti - Cinderella Man
Ed Harris - A History of Violence
William Hurt - A History of Violence (Final 4)
Mickey Rourke - Sin City (Final 4)
Donald Sutherland - Pride & Prejudice


**Please note that Maria Bello is indeed a nominee in Actress and Supporting Actress. She managed to be in the top 8 vote getters for both categories.

5.15.2008

Best Performance of 2006 Showdown Results.

BEST PERFORMANCE, BEST MALE, and BEST ACTOR
Forest Whitaker - The Last King of Scotland

OTHER BEST ACTORS::
Christian Bale - The Prestige (Final 4)
Leonardo DiCaprio - Blood Diamond
Leonardo DiCaprio - The Departed (2nd Place)
Ryan Gosling - Half Nelson (Final 4)
James McAvoy - The Last King of Scotland
Peter O'Toole - Venus
Will Smith - The Pursuit of Happyness

BEST FEMALE, and BEST ACTRESS
Judi Dench - Notes on a Scandal

OTHER BEST ACTRESSES::
Ivana Baquero - Pan's Labyrinth
Penélope Cruz - Volver
Maggie Gyllenhaal - Sherrybaby (2nd place)
Helen Mirren - The Queen (Final 4)
Meryl Streep - The Devil Wears Prada
Naomi Watts - The Painted Veil (Final 4)

BEST SUPPORTING ACTOR
Sergí López - Pan's Labyrinth

OTHER BEST SUPPORTING ACTORS::
Steve Carell - Little Miss Sunshine
Paul Giamatti - The Illusionist
Jackie Earle Haley - Little Children (Final 4)
Eddie Murphy - Dreamgirls
Jack Nicholson - The Departed (Final 4)
Michael Sheen - The Queen (2nd Place)
Mark Wahlberg - The Departed

BEST SUPPORTING ACTRESS
Adriana Barraza - Babel

OTHER BEST SUPPORTING ACTRESSES::
Cate Blanchett - Notes on a Scandal (2nd Place)
Emily Blunt - The Devil Wears Prada
Abigail Breslin - Little Miss Sunshine (Final 4)
Jennifer Hudson - Dreamgirls
Rinko Kikuchi - Babel
Emma Thompson - Stranger Than Fiction (Final 4)
Maribel Verdú - Pan's Labyrinth

1.04.2008

Juno (2007)


Title: Juno.
Country: US.
Year: 2007.
Date of Viewing: 1/4/08.
Director: Jason Reitman.
Cast: Ellen Page, Michael Cera, Jason Bateman, Jennifer Garner, Allison Janney, J.K. Simmons.

"It all began with a chair."

Off-setting and admirably quirky, Juno is a real treat of a film. It shone at the Toronto International Film Festival and is getting buzz for its screenplay, the lead portrayal by Ellen Page, and even Best Picture. Some people have compared it to 2003’s Lost in Translation, or last season’s Little Miss Sunshine, and Juno may have enough buzz and positive feedback to make it all the way to the Oscars.

The chair in question is the spot where Juno MacGuff (Page) and Paulie Bleeker (Cera) first have sex, and where Juno gets unexpectedly pregnant. Juno is confused: she is 16, and a junior in high school, and now has to deal with being a mother? She tells her best friend Leah (Olivia Thirlby), and then her dad and stepmother (Simmons and Janney) about her situtation before ultimately deciding to offer her baby up for adoption to Mark and Vanessa (Bateman and Garner), a couple who are, as Leah puts it, "desperately seeking spawn." But there are many twists and curves down the road as Juno and Paulie’s relationship becomes an emotional roller coaster and personal details about Mark and Vanessa that hide beneath their suburban perfection rise to the surface.

Diablo Cody, famous now for being an ex-stripper and debuting her first screenplay here, writes wonders in this screenplay. The position of “quirky Indy dramedy” has been done many times, but Cody brings forth a very unusual albeit fresh form of conversation into her screenplay. The dialogue is quite peculiar, and hits you all at once, particularly in an opening scene at a drugstore. As it’s been said before, the movie feels a little "too hip for the room" at first, but it becomes much easier to warm up to the style of slang and difference, particularly from Juno herself. (One line, much like the first of many, includes Juno thinking about male runners, "When I see them all running like that, with their pork swords bouncing around in their shorts, I always picture them naked, even if I don't want to.") Jason Reitman, who previously directed comedies like Thank You For Smoking, does a dandy job with this fine film. He could make it to DGA, but an Oscar nomination is doubtful at this point.

The music is also a particular standout. The Moldy Peaches’ Kimya Dawson features some of her songs here, most notably "Anyone Else But You," which appears in the film and is even sung by characters in the film. Other contributions from artists like Buddy Holly, Mateo Messina, Sonic Youth, and The Kinks make this one of the most charming soundtracks of 2007.



The acting is superb throughout. The ensemble is incredibly strong and equally hilarious; it is an absolute shock that this fine group of actors wasn’t acknowledged for SAG’s top prize. The supporting players are all quite good. Bateman undergoes some serious depth midway through the movie and shines. Garner is so heartbreaking, you will want to nominate her out of guilt for Vanessa. She easily gives her best performance to date. Simmons and Janney also are great with a parental dryness that lingers through the whole film. But the supporting props must be given to Cera who portrays "high school student" so well, you would expect to see him roaming the junior hallway. And of course, Miss Page is utterly divine as the ever off-setting but so enticing Juno, adding another fantastic lead female performance into 2007, and making it the strongest and most interesting race of the year. An Oscar nomination is almost assured for this 20-year-old breakout, and it is much deserved.

Juno is a hilarious, yet sweet outlook on today’s society and the struggles a family goes through. The screenplay and acting are undeniably charming and very warm. It is, for lack of a better word, perfect.



Current Wins and Nominations:

Best Picture** (replaces Sweeney Todd)
Best Director, Jason Reitman
Best Actress, Ellen Page**
Best Supporting Actor, Michael Cera**
Best Supporting Actor, J.K. Simmons
Best Supporting Actress, Jennifer Garner
Best Supporting Actress, Allison Janney
Best Original Screenplay**
Best Ensemble Cast**

1.03.2008

Sweeney Todd (2007)



Title: Sweeney Todd: The Demon Barber of Fleet Street.
Country: US.
Year: 2007.
Date of Viewing: 1/1/08.
Director: Tim Burton.
Cast: Johnny Depp, Helena Bonham Carter, Alan Rickman, Timothy Spall, Sacha Baron Cohen.

From the moment the earth-shattering pipe organs fill your ears as the DreamWorks logo appears, to a riveting Shakespearean ending, Sweeney Todd is a delight throughout. Based off the popular Stephen Sondheim musical starring George Hearn and Angela Lansbury, director Burton leaves his mark on a musical newcomers will enjoy just as much as die-hard Sweeney fans.

The plot starts off with an estranged Sweeney (Depp) returning home to London with a young sailor, Anthony (Jamie Campbell Bower). Todd is desperate for revenge after being wrongfully imprisoned by an evil judge (Rickman) that he escapes and sets back to London to “right his wrongs.” When he meets up with a former meat-pie acquaintance, Mrs. Lovett (Carter), he reopens his barbershop and formulates a way to seek revenge on his archnemesis. What follows next includes multiple deaths, bloody razors and a creative solution to disposing of bodies and helping out Mrs. Lovett’s meat pie business at the same time...hopefully it’s easy to fill in the blanks here.

The unconventional musical flourishes spectacularly on film, much in part to the underrated screenplay by John Logan which still expertly captures the feel of the stage production in a shorter amount of time. Many Sweeney-ites may moan about the cutting of many songs from the show, namely the show’s titular ballad that only appears in the opening credits and instrumental scores throughout. Fortunately, the exclusion isn’t for naught and the overall feel is still fine…well mostly fine. The overall cut of ALL ensemble singing is noticeable, especially in songs like “God That’s Good!”... a sequence normally 5 – 10 minutes long shrinked to a minute and thirty seconds. However glaring the song omissions are, the overall message and plot are still present and are still handled quite nicely. Burton does one of his best directorial works today, becoming my third favorite of his behind 1990’s Edward Scissorhands and 2003’s Big Fish.

The acting is very, very nice. Although not all the singers match up to the power of the Broadway actors (which is naturally a given), the actors still emote powerfully WHILE they’re singing – a concept that some other movie musicals *coughcoughDreamgirls* didn’t manage to grasp firmly enough. Depp is utterly fantastic and doesn’t ever once allude to his Scissorhand pout or Jack Sparrow smarmy-ness…it’s possibly his best performance to date. Carter holds her own and has amazing character depth, but takes the most pitfalls during her musical numbers. The supporting cast is just great: Rickman is appropriately slimy as the Judge, Spall is equally slimy in his role as the Beadle, the Judge’s right hand man. Cohen is also a surprise as Pirelli, Sweeney’s rival. He adds much needed comedic relief to the film. Ed Sanders plays Toby, a small little boy who blindly assists Lovett in her pie business and Laura Michelle Kelly is delightful as a(n underused) Beggar Woman whose role has more than meets the eye to it. The only people I had a problem with was Johanna (Jayne Wisener) who underacts and Campbell who literally keeps the same expression on his face through all two hours of the movie. Regardless, these two roles always seem a little out of place in the main plotline of Sweeney and don’t wreck the film at all.



The technicals are to die for (ahaha, get it? Die for?) in the film. Dariusz Wolski’s cinematography is lovely, especially when it’s partnered with Dante Ferretti’s astonishing art direction. The dark color palette works wonders, especially when the blood enters in and stands out even more contrasted against the dark backgrounds. A particularly beautiful scene is the number “Not While I’m Around” that Toby and Lovett sing in a parlor – the grainy texture combined with the color scheme almost gives you the impression that you’re watching an early talkie film from the 20’s. Burton costume designer Colleen Atwood once again astonishes, particularly in a song “By the Sea” with fantastic petticoats and puffy dresses. The sound and makeup effects are all also fantastic. Highly expect wins for Ferretti, Atwood, and the makeup department come Oscar season.

Overall, Sweeney had a few miniscule flaws, but they didn’t distract from the morbid beauty of the film. This is one film that will leave a huge impression on you, and is worth every penny you pay for the admission. You’ll be DYING to see it. A-ha-hahaha...yeah.




Current Wins and Nominations:

Best Picture**
Best Director, Tim Burton**
Best Actor, Johnny Depp**
Best Actress, Helena Bonham Carter
Best Supporting Actor, Alan Rickman
Best Adapted Screenplay
Best Cinematography
Best Art Direction**
Best Costume Design**
Best Sound, Mixing and Editing
Best Makeup**
Best Ensemble Cast

8.13.2007

8.07.2007

Camp.

Bad points:

- Hideous lead portrayl from Daniel Letterle as Vlad. Surely vomit inducing.
- Weak writing in some spots. The writing is like a roller coaster, going up and looking good, then suddenly crashing down.

Good points:

-
All right, past those. 'Camp' is full of warming humor all throughout the film and is very very entertaining.
- The supporting performances are really quite good. My personal favorites were Sasha Allen as Dee, (With a completely KNOCKOUT voice.) Anna Kendrick as Fritzi (maniacal and the funniest of the movie) and Tiffany Taylor as Jenna (funny at the beginning and astounding at the end.)
- The musical numbers shine easily in this film. It's nice that they're already in the context of summer camp so they can sing at will. And, the musical numbers are done greatly, whether they're redone ("The Ladies Who Lunch" from Company or "And I Am Telling You" from Dreamgirls) or original. (Standouts are "Century Plant" and the best song "Here's Where I Stand", below.)

Overall, a great time. If you can find it, check it out. 8/10.


8.01.2007

'Det Sjunde inseglet.'

Det Sjunde inseglet (1957)
Directed by: Ingmar Bergman
Country of Origin: Sweden
Genre: Drama/Foreign

This past Monday, it was announced that legendary film director Ingmar Bergman had passed away, leaving behind him nearly 4 decades of films from Sweden that helped shape international cinema into what it is today.

Upon discovering this, I was saddened. I also realized that despite the raves I've heard of his classics, I had yet to see a single film by his.

I shared the news with my brother later:
Me: Ingmar Bergman died today.
Brother: . . . .
Me: You do know who he is, right?
Brother: (hestitantly) Yeah...
Me: Name some films he's done then.
Brother: ...... Casablanca?

As it turns out, literally no one in my family had heard of Bergman. There seems to be two type of people in this situation: those who know Bergman and have seen his movies, and those who have never heard of him and will probably never venture out of their way to see some "weird Swedish movie."

I found myself in a rare situation: I had heard of Bergman, and his films, but I had never seen them. I figured it was time to place myself out of this small group and into the first by watching the film that mostly made him famous The Seventh Seal, or rather, Det Sjunde inseglet.

(Of course, it did take a while to find a rental place in my town that had films pre-1960, let alone a foreign film from pre-1960. God forbid. Yeesh.)
I don't quite know what to say about this piece of cinema. I can certainly say it's unlike anything I've ever seen-- well, true, it's Swedish, but it has a flair to it that's unique. I give Bergman my 100% respect on masterfully blending many different elements of particular genres into one film- romantic relationships, playful jests, disturbing rituals, religious outputs-- philosophies on life even. It's often I'd find myself laughing at one moment and staring in horror at the next, then simply sitting in awe at how powerful the film is.

Det Sjunde inseglet is the story of Antonious Block and his squire, Jons returning back home to Sweden after fighting with the Crusades. Upon arrival, though, it seems Death is lingering everywhere with the Black Plague... and how literal this is, as a pale-faced Bengt Ekerot dons a cloak and lolls about as Death. The beginning scene crashes on screen with a complex coral number and stunning photography to reveal Block and Jons lying on a beach. When Block (Max von Sydow, masterfully played) wanders off on his own, he comes across Death. "Are you ready?" Death asks. "My body is ready," replies Antonious, "but I am not."

Antonious decides that he will literally play for his life in a game of chess with Death. If Death wins, he keeps Antonious and if Antonious wins he is freed. The game continues throughout until the end. This is absolutely the film's most well known moment, spoofed often and rightfully so. The imagery lingers well after the film of the solemn figure of Death calmly sitting opposite a knight with a chessboard between them.

The writing is clever as Antonious and Jons (and of course Death) move across Sweden, forming a "troop" if you will of many a-folk: a band of artists who perform shows, a smith and his promiscous wife, and even a tottering baby meant to symbolize Jesus. The complex additions and subtractions only make the film more enjoyable as it moves around.

There are two moments in the film that absolutely leave in imprint in my mind. The first is the encounter between a Witch and the God-doubting Antonious. The Witch, a young woman believed to be possessed by the Devil is to be burned at the stake that evening, but Antonious is curious to questioning the Devil himself about the reality of God. Upon asking the Witch, she replies, "What do you see?" "Nothing but terror," says Antonious. The conclusion of the scene draws Jons to correct Antonious by saying that all that is within her is "emptiness." The mournful look as the girl looks out and the absolute meltdown Antonious gives is both harrowing and haunting.

And last (also last in the film), is what is known as "The Dance of Death." I won't spoil the film for you, but that little monologue the actor gives along with the ghostly image of the seven people holding hands and dancing across a mountain echoes across my mind constantly. It is with amazing ease that Bergman ends his film this way, not only leaving a sense of closure but also a sense of pride and of bewilderment.

To those that have not seen this widely well-regarded piece of film, I would strongly suggest that you bother to search for this epic piece. I belive it's essential for anyone who wants to call themselves a film fan.

10/10.

7.21.2007

Must... go get.... Harry Potter...

However, I can't at the moment. :(

So, here's my 2004 lineup:

Photo Sharing and Video Hosting at Photobucket

I'm aware it's not very good. (Particularly Best Actress.... X_X) I just haven't seen some of the better nominated movies from that year yet (e.g. Kinsey, Vera Drake, Collateral, etc.) But, I do think that it's pretty dang good where it's at right now.

If any one cares (and I'm also freakishly bored,) here are the rest from that year:

Best Director
1. Michel Gondry, Eternal Sunshine of the Spotless Mind
2. Alexander Payne, Sideways
3. Yimou Zhang, Shi mian mai fu
4. Mike Nichols, Closer
5. Terry George, Hotel Rwanda

Best Original Screenplay
1. Charlie Kaufman, Eternal Sunshine of the Spotless Mind
2. Brad Bird, The Incredibles
3. Zach Braff, Garden State
4. Feng Li; Bin Wang; Yimou Zhang, Shi mian mai fu
5. Keir Pierson; Terry George, Hotel Rwanda

Best Adapted Screenplay
1. Alexander Payne; Jim Taylor, Sideways
2. Patrick Marber, Closer
3. Tina Fey, Mean Girls
4. Paul Haggis, Million Dollar Baby
5. David Magee, Finding Neverland

Best Cinematography
1. Xiaoding Zhao, Shi mian mai fu
2. Ellen Kuras, Eternal Sunshine of the Spotless Mind
3. Robert Richardson, The Aviator
4. John Mathieson, The Phantom of the Opera
5. Stephen Goldblatt, Closer

Best Editing
1. Valdis Oskarsdottir, Eternal Sunshine of the Spotless Mind
2. Joel Cox, Million Dollar Baby
3. Long Cheng, Shi mian mai fu
4. Thelma Schoonmaker, The Aviator
5. Terry Rawlings, The Phantom of the Opera

Best Art Direction
1. The Phantom of the Opera
2. Lemony Snicket's A Series of Unfortunate Events
3. Eternal Sunshine of the Spotless Mind
4. Shi mian mai fu
5. The Aviator

Best Costume Design
1. The Aviator
2. Lemony Snicket's A Series of Unfortunate Events
3. Shi mian mai fu
4. The Phantom of the Opera
5. Finding Neverland

Best Original Score
1. Eternal Sunshine of the Spotless Mind
2. Finding Neverland
3. The Incredibles
4. Hauru no ugoku shiro
5. Million Dollar Baby

Best Sound (Mixing and Editing)
1. The Incredibles
2. Shi mian mai fu
3. Spider-Man 2
4. Eternal Sunshine of the Spotless Mind
5. Million Dollar Baby

Best Visual Effects
1. Eternal Sunshine of the Spotless Mind
2. Spider-Man 2
3. Harry Potter and the Prisoner of Azkaban

Best Makeup
1. Lemony Snicket's A Series of Unfortunate Events
2. Shi mian mai fu
3. The Aviator

Best Ensemble in a Motion Picture
1. CLOSER: Jude Law, Clive Owen, Natalie Portman, Julia Roberts
2. SIDEWAYS: Thomas Haden Church, Paul Giamatti, Virginia Madsen, Sandra Oh
3. ETERNAL SUNSHINE OF THE SPOTLESS MIND: Jim Carrey, Kirsten Dunst, Mark Ruffalo, Tom Wilkinson, Kate Winslet, Elijah Wood
4. HARRY POTTER AND THE PRISONER OF AZKABAN: Robbie Coltrane, Michael Gambon, Rupert Grint, Gary Oldman, James Phelps, Oliver Phelps, Daniel Radcliffe, Alan Rickman, Maggie Smith, Timothy Spall, David Thewlis, Emma Thompson, Julie Walters, Emma Watson, Mark Williams
5. RAY: Curtis Armstrong, Denise Dowse, Aunjanue Ellis, Jamie Foxx, Terrence Howard, Regina King, Clifton Powell, Kerry Washington, Sharon Warren, Bokeem Woodbine

Best Limited Performance (Note: This is for any gender, however, all of my nominees coincidentally are females this year.)
1. Emma Thompson, Harry Potter and the Prisoner of Azkaban ("Professor Trelawney")
2. Jessica Hecht, Sideways ("Victoria")
3. Deirdre O'Connell, Eternal Sunshine of the Spotless Mind ("Hollis")
4. Kelly Macdonald, Finding Neverland (" 'Peter Pan' ")
5. Stefanie Drummond, Mean Girls ("Bethany Byrd")

Best Adapted Score
1. Garden State
2. Ray
3. Closer
4. The Phantom of the Opera
5. Shrek 2